{"id":261,"date":"2025-02-04T12:15:19","date_gmt":"2025-02-04T12:15:19","guid":{"rendered":"https:\/\/myrce.net\/?p=261"},"modified":"2026-03-25T11:00:33","modified_gmt":"2026-03-25T11:00:33","slug":"where-the-data-rests-2024","status":"publish","type":"post","link":"https:\/\/myrce.net\/index.php\/2025\/02\/04\/where-the-data-rests-2024\/","title":{"rendered":"WHERE THE DATA RESTS, 2024"},"content":{"rendered":"\n<p style=\"font-size:11px\">\u00b7 Sept-Dic2024 &#8211; Esta propuesta fue realizada en colaboraci\u00f3n con el <em>Centro de Inteligencia Artificial<\/em> de la Universidad de Oviedo &#8211; Estancia de investigaci\u00f3n<br><br>\u00b7 Sept2025 &#8211;  <em>D(III)RT<\/em> &#8211; <a href=\"http:\/\/medol.cat\/activitats\/dirt-iii\/\" title=\"\">M\u00e8dol, Centre d&#8217;Arts Contempor\u00e0nies de Tarragona<\/a><br><br>\u00b7 Dic2025 &#8211; <em>Navigating Pain: Grieving through Internet Aesthetics<\/em> &#8211; <a href=\"http:\/\/networkcultures.org\/events\/navigating-pain-grieving-through-internet-aesthetics-exhibition-by-raquel-luaces\/\" title=\"\">Post Office<\/a> &#8211; Amsterdam<br><br>\u00b7 Marz-May2026 &#8211; <em>How Things End<\/em> &#8211; <a href=\"https:\/\/huiden.club\/en\/exhibitions\" title=\"\">Huidenclub<\/a> &#8211; Rotterdam<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-768x1024.jpeg\" alt=\"\" class=\"wp-image-615\" style=\"aspect-ratio:0.7500090145314247;width:608px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-768x1024.jpeg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-225x300.jpeg 225w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-1152x1536.jpeg 1152w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-1536x2048.jpeg 1536w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/02\/IMG_9517-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p style=\"font-size:11px\">CAST<br><em>Where the Data Rests<\/em>\u00a0(2024) es un videojuego experimental que explora las complejidades del duelo en el \u00e1mbito digital. El jugador recorre un entorno tridimensional desarrollado en Unity, construido a partir de los lenguajes visuales que en las comunidades en l\u00ednea se agrupan bajo el t\u00e9rmino\u00a0<em>Internet Aesthetics<\/em>. A lo largo de la experiencia, un chatbot de inteligencia artificial act\u00faa como narrador y como un \u201cm\u00e9dium\u201d virtual, planteando preguntas al jugador y personalizando el desarrollo del juego en funci\u00f3n de sus respuestas. Esta presencia invisible introduce reflexiones sobre la p\u00e9rdida y la memoria, interactuando progresivamente con el perfil emocional del usuario.<\/p>\n\n\n\n<p style=\"font-size:11px\">EN<br>Where the Data Rests (2024) is an experimental video game that explores the complexities of grief in the digital realm. The player navigates a 3D environment developed in Unity, built through the visual languages referred to as Internet Aesthetics in online communities. Throughout the experience, an artificial intelligence chatbot acts as a narrator and virtual \u201cmedium\u201d, asking the player questions and personalizing the progression of the game based on their responses. This invisible presence introduces reflections on loss and memory, gradually engaging with the user\u2019s emotional profile.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Where the Data Rests\" src=\"https:\/\/player.vimeo.com\/video\/1176884137?dnt=1&amp;app_id=122963\" width=\"500\" height=\"538\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC-1024x640.jpg\" alt=\"\" class=\"wp-image-200\" style=\"width:600px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC-1024x640.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC-300x188.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC-768x480.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC-1536x960.jpg 1536w, https:\/\/myrce.net\/wp-content\/uploads\/2024\/11\/tempImage3TE6OC.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00b7 Sept-Dic2024 &#8211; Esta propuesta fue realizada en colaboraci\u00f3n con el Centro de Inteligencia Artificial de la Universidad de Oviedo &#8211; Estancia de investigaci\u00f3n \u00b7 Sept2025 &#8211; D(III)RT &#8211; M\u00e8dol, Centre d&#8217;Arts Contempor\u00e0nies de Tarragona \u00b7 Dic2025 &#8211; Navigating Pain: Grieving through Internet Aesthetics &#8211; Post Office &#8211; Amsterdam \u00b7 Marz-May2026 &#8211; How Things End [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-261","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/posts\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":16,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/posts\/261\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/posts\/261\/revisions\/621"}],"wp:attachment":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/media?parent=261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/categories?post=261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/tags?post=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}