{"id":327,"date":"2025-03-26T11:38:49","date_gmt":"2025-03-26T11:38:49","guid":{"rendered":"https:\/\/myrce.net\/?page_id=327"},"modified":"2026-02-05T10:31:58","modified_gmt":"2026-02-05T10:31:58","slug":"research","status":"publish","type":"page","link":"https:\/\/myrce.net\/index.php\/research\/","title":{"rendered":"research&amp;more"},"content":{"rendered":"<style>\n  .dos-columnas-myrce{<br \/>\n    column-count: 2;<br \/>\n    column-gap: 40px;<br \/>\n    font-family: Verdana, sans-serif;<br \/>\n    font-size: 10px;<br \/>\n    line-height: 1.5;<br \/>\n  }<\/p>\n<p>  \/* evita que una figura se parta entre columnas *\/<br \/>\n  .dos-columnas-myrce figure,<br \/>\n  .dos-columnas-myrce p{<br \/>\n    break-inside: avoid;<br \/>\n    -webkit-column-break-inside: avoid;<br \/>\n    page-break-inside: avoid;<br \/>\n  }<\/p>\n<p>  \/* im\u00e1genes SIEMPRE al ancho de la columna *\/<br \/>\n  .dos-columnas-myrce figure{<br \/>\n    margin: 8px 0 14px 0;<br \/>\n    display: block;<br \/>\n  }<\/p>\n<p>  .dos-columnas-myrce img{<br \/>\n    display: block;<br \/>\n    width: 100% !important;<br \/>\n    max-width: 100% !important;<br \/>\n    height: auto !important;<br \/>\n  }<\/p>\n<p>  \/* el icono del cursor: mantenlo peque\u00f1o *\/<br \/>\n  .dos-columnas-myrce .cursor-icon{<br \/>\n    width: 20px !important;<br \/>\n    max-width: 20px !important;<br \/>\n  }<\/p>\n<p>  \/* m\u00f3vil: una columna *\/<br \/>\n  @media (max-width: 768px){<br \/>\n    .dos-columnas-myrce{<br \/>\n      column-count: 1;<br \/>\n      column-gap: 0;<br \/>\n    }<br \/>\n  }<br \/>\n<\/style>\n<div class=\"dos-columnas-myrce\">\n\n\n<p class=\"has-text-align-right\">RESEARCH WORK:&nbsp;<a href=\"https:\/\/orcid.org\/my-orcid?orcid=0009-0009-7895-6890\">https:\/\/orcid.org\/my-orcid?orcid=0009-0009-7895-6890<\/a><\/p>\n\n\n\n<p>click the images to explore the sites<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\">\n  <img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"320\" class=\"cursor-icon\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/cursor-png-ico-icns-free-icon-download-icon100m-20.png\" alt=\"\" class=\"wp-image-375\" style=\"width:20px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/cursor-png-ico-icns-free-icon-download-icon100m-20.png 320w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/cursor-png-ico-icns-free-icon-download-icon100m-20-300x300.png 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/cursor-png-ico-icns-free-icon-download-icon100m-20-150x150.png 150w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/>\n<\/figure>\n\n\n\n<p><strong><em>Between Obsolete Interfaces &amp; Lost Future<\/em><\/strong><em><strong>s:<\/strong><\/em><br><strong>Retrofuturism, Internet Aesthetics, and Contemporary Grieving<\/strong><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/nostagain.ca\/symposium\/\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/slide-2-819x1024.png\" alt=\"\" class=\"wp-image-514\" style=\"aspect-ratio:0.7998154272091056;width:422px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/slide-2-819x1024.png 819w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/slide-2-240x300.png 240w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/slide-2-768x960.png 768w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/slide-2.png 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>All\u00f2 que no s\u2019anomena: viure entre les expectatives i el patiment<\/em>&nbsp;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/www.rocaumbert.com\/ca\/agenda\/c\/3707-allo-que-no-sanomena-entre-les-expectatives-i.html\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-819x1024.jpg\" alt=\"\" class=\"wp-image-516\" style=\"width:419px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-819x1024.jpg 819w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-240x300.jpg 240w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-768x960.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-1229x1536.jpg 1229w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-1638x2048.jpg 1638w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/af-cartell-instagram-post-scaled.jpg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n\n\n\n<p><strong><em>A Contemporary Tribute Website: Checkpoints, Digital Grieving and Collective Memory<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-tertiary\"><a href=\"https:\/\/networkcultures.org\/blog\/2025\/12\/17\/a-contemporary-tribute-website-checkpoints-digital-grieving-and-collective-memory\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"474\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-1024x474.png\" alt=\"\" class=\"wp-image-459\" style=\"aspect-ratio:2.160365600332364;width:503px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-1024x474.png 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-300x139.png 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-768x356.png 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-1536x711.png 1536w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/12\/Captura-de-pantalla-2025-12-19-a-las-14.21.03-2048x948.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/networkofcenters.net\/news\/contemporary-tribute-website-checkpoints-digital-grieving-and-collective-memory\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"516\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-1024x516.png\" alt=\"\" class=\"wp-image-512\" style=\"aspect-ratio:1.9845434595935503;width:502px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-1024x516.png 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-300x151.png 300w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-768x387.png 768w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-1536x774.png 1536w, https:\/\/myrce.net\/wp-content\/uploads\/2026\/01\/Captura-de-pantalla-2026-01-26-a-las-14.12.55-2048x1033.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>Navigating Pain: Grieving through Internet Aesthetics<\/em><\/strong><\/p>\n\n\n\n<p><em>Navigating Pain: Grieving through Internet Aesthetics<\/em>&nbsp;explores how recent digital images shape contemporary ways of expressing and processing pain and grief. Through talks, screenings, and an artistic installation, the event reflects on loss, memory, and vulnerability in virtual spaces.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-tertiary\"><a href=\"https:\/\/networkcultures.org\/events\/navigating-pain-grieving-through-internet-aesthetics-exhibition-by-raquel-luaces\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-724x1024.png\" alt=\"\" class=\"wp-image-411\" style=\"aspect-ratio:0.7070380882777844;width:374px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-724x1024.png 724w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-212x300.png 212w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-768x1086.png 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-1086x1536.png 1086w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-1448x2048.png 1448w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/A3_NAVIGATING-PAIN-scaled.png 1810w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/figure>\n\n\n\n<p><strong>15.45H &#8211; Raquel Luaces &#8211; Opening + &#8220;Liminal Aesthetics and Digital Grieving: Research and Artistic Exploration in Where The Data Rests&#8221;<\/strong><\/p>\n\n\n\n<p><strong>16.00H \u00b7 Mela Miekus &amp; Salome Berdzenishvili &#8211; \u201cBlacha &amp; Gluvi: On Constructing the Surfaces of Post-Soviet Girlhood\u201d<\/strong><\/p>\n\n\n\n<p>Organized and curated by Raquel Luaces \/ Poster design by Oriol Diaz&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>PhDArts 2025-2026 Doctoral Study Program &#8211; networks + algorithms x institutions \/ artistic research = serious play<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"800\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/phd-1024x800.jpg\" alt=\"\" class=\"wp-image-410\" style=\"width:509px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/phd-1024x800.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/phd-300x234.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/phd-768x600.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/11\/phd.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>On Internet Aesthetics, Art Practice, Grief and Death<\/em><\/strong><\/p>\n\n\n\n<p>Interview with Geert Lovink by Raquel Luaces<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/networkcultures.org\/geert\/2025\/10\/08\/interview-with-geert-lovink-by-raquel-luaces\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"645\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/1-1024x645.jpg\" alt=\"\" class=\"wp-image-369\" style=\"aspect-ratio:1.5876044727702934;width:511px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/1-1024x645.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/1-300x189.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/1-768x484.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/1.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><em><strong>Escuchar lo Liminal: Convergencia de Im\u00e1genes y Sonidos en la Construcci\u00f3n de Atm\u00f3sferas Compartidas en TikTok<\/strong><\/em><\/p>\n\n\n\n<p>Publicaci\u00f3n en Institute of Network Cultures<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/networkcultures.org\/internetcore\/2025\/07\/21\/escuchar-lo-liminal\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"701\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/2-1024x701.jpg\" alt=\"\" class=\"wp-image-370\" style=\"aspect-ratio:1.4607767399396026;width:511px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/2-1024x701.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/2-300x205.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/2-768x526.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/2.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>Where The Data Rests<\/em><\/strong>, 2024 en D(III)RT<\/p>\n\n\n\n<p>M\u00e8dol, Centre d&#8217;Arts Contempor\u00e1nies de Tarragona<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/medol.cat\/activitats\/dirt-iii\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/3-1024x678.jpg\" alt=\"\" class=\"wp-image-372\" style=\"aspect-ratio:1.510365610136877;width:506px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/3-1024x678.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/3-300x199.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/3-768x508.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/3.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>DeathxDesignxCulture<\/em><\/strong> Conference &#8211; Falmouth University<\/p>\n\n\n\n<p>Article from It&#8217;s Nice That<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized wp-duotone-primary-and-background\"><a href=\"https:\/\/www.itsnicethat.com\/features\/death-and-design-creative-industry-301024\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"639\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/4-1024x639.jpg\" alt=\"\" class=\"wp-image-373\" style=\"aspect-ratio:1.6025270619053122;width:514px;height:auto\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/4-1024x639.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/4-300x187.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/4-768x479.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/4.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">&#8212;<\/p>\n\n\n\n<p><strong><em>Contemporary representations of grief and pain: visibilization, agency and social transformation through the image<\/em><\/strong><\/p>\n\n\n\n<p>Research Project<\/p>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-primary-and-background\"><a href=\"https:\/\/deathandillness.com\/project\/representaciones-contemporaneas-del-duelo-y-el-dolor-visibilizacion-agencia-y-transformacion-social-a-traves-de-la-imagen\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"399\" src=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/5-1024x399.jpg\" alt=\"\" class=\"wp-image-374\" srcset=\"https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/5-1024x399.jpg 1024w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/5-300x117.jpg 300w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/5-768x299.jpg 768w, https:\/\/myrce.net\/wp-content\/uploads\/2025\/10\/5.jpg 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>RESEARCH WORK:&nbsp;https:\/\/orcid.org\/my-orcid?orcid=0009-0009-7895-6890 click the images to explore the sites Between Obsolete Interfaces &amp; Lost Futures:Retrofuturism, Internet Aesthetics, and Contemporary Grieving &#8212; All\u00f2 que no s\u2019anomena: viure entre les expectatives i el patiment&nbsp; A Contemporary Tribute Website: Checkpoints, Digital Grieving and Collective Memory &#8212; Navigating Pain: Grieving through Internet Aesthetics Navigating Pain: Grieving through Internet Aesthetics&nbsp;explores [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-327","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":23,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/327\/revisions"}],"predecessor-version":[{"id":580,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/327\/revisions\/580"}],"wp:attachment":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/media?parent=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}