{"id":210,"date":"2025-02-04T11:16:51","date_gmt":"2025-02-04T11:16:51","guid":{"rendered":"https:\/\/myrce.net\/?page_id=210"},"modified":"2026-07-05T20:27:47","modified_gmt":"2026-07-05T20:27:47","slug":"works","status":"publish","type":"page","link":"https:\/\/myrce.net\/index.php\/works\/","title":{"rendered":"works"},"content":{"rendered":"\n

.sav<\/em><\/strong><\/a>,<\/strong> raquel luaces & oriol diaz, 2025<\/p>\n\n\n\n

lost media archive website<\/a><\/p>\n\n\n\n

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2026 – ++EXPOSITIV<\/em><\/a> \u00b7 ANIAV UPV
2026 – https:\/\/artificialislands.zhdk.ch\/#<\/a>
2025 – Global Network of Internet and Society Research Centers
2025 – Institute of Network Cultures<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Feed ME to the Algorithm<\/strong><\/a>, <\/em>2025<\/p>\n\n\n\n

immersive installation + virtual space. loop of visual and auditory saturation constructed from images and discourses on femininity, beauty, and self-care found on social media<\/p>\n\n\n\n

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2026 – All\u00f2 que no s’anomena: entre les expectatives i el patiment. Roca Umbert Fabrica de les Arts<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

WHERE THE DATA RESTS<\/em><\/strong><\/a>, <\/strong>2024<\/p>\n\n\n\n

experimental videogame about death, loss and nostalgia<\/p>\n\n\n\n

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2026 – How Things End. Huidenclub. Rotterdam
2026 – Frames of Reference. Canada
2025 – Navigating Pain: Grieving through Internet Aesthetics. Amsterdam
2025 – D(III)RT. M\u00e8dol. Tarragona
2024 – Edificio Polivalente de la Universidad de Oviedo

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

NO RIGHT OF SURVIVORSHIP<\/em><\/strong><\/a>, <\/strong>2021<\/p>\n\n\n\n

Where does our data go after we die? Who is interested in the digital traces of the deceased? Do they hold any economic value once we no longer exist or respond to recommendations and manipulations? These are some of the questions this artistic project seeks to explore.<\/p>\n\n\n\n

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2021 – TFM en Producciones e Investigaci\u00f3n Art\u00edstica<\/em>. Facultad de Bellas Artes. Universidad de Barcelona<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

632AF<\/em><\/strong><\/a>, <\/strong>2020<\/p>\n\n\n\n

This artistic project critically examines certain aspects of the diagnostic era we live in, inviting the audience to reflect on the consequences of constant\u2014and often unnecessary\u2014medication.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

He le\u00eddo y acepto los t\u00e9rminos y condiciones de uso<\/em>, 2019<\/strong><\/a><\/p>\n\n\n\n

This project explores the transfer of identity in the virtual realm and the unconscious submission to digital control. Its title echoes the mandatory clause we must accept to access any application or online service.<\/p>\n\n\n\n

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2019 – Sense T\u00edtol<\/em>. Facultad de Bellas Artes. Universidad de Barcelona<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Morri\u00f1a Millennial<\/em><\/strong><\/a>, <\/strong>2018<\/p>\n\n\n\n

This self-referential work seeks to engage millennials through their own testimonies and experiences. Featuring the voices of individuals from this generation\u2014who critique everything from the capitalism they live under to their own parents\u2014it explores how these factors contribute to the pervasive loneliness and nostalgia that define an entire generation.<\/p>\n\n\n\n

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2019 – XI Premio Auditorio de Galicia para Novos Artistas<\/em>.
Auditorio de Santiago de Compostela, Galicia
2019 – Draw Raw. Can Felipa. Barcelona<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

.sav, raquel luaces & oriol diaz, 2025 lost media archive website Feed ME to the Algorithm, 2025 immersive installation + virtual space. loop of visual and auditory saturation constructed from images and discourses on femininity, beauty, and self-care found on social media WHERE THE DATA RESTS, 2024 experimental videogame about death, loss and nostalgia NO […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-210","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":39,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/210\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/pages\/210\/revisions\/669"}],"wp:attachment":[{"href":"https:\/\/myrce.net\/index.php\/wp-json\/wp\/v2\/media?parent=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}